Ferdinand M. Bertholet, Les Jardins du Plaisir: Érotisme et art dans la Chine ancienne / Gardens of Pleasure: Eroticism and Art in China, Paris, 2003 (rev. English ed., Munich, Berlin, London, New York, ౠ2010), cover and pp. 160-171. 

貝索烈，《Les Jardins du Plaisir: Érotisme et art dans la Chine ancienne / Gardens of Pleasure๊: Eroticism and Art in China》，巴黎，2003年（英文再版，慕尼黑、柏林、倫敦、紐約，2010年），頁160-171

James Cahill et al., Le Palais du printemps. Peintures érotiques de Chine, Musée Cernuschi, Paris, 2006, pp. 142-151.

Gardens of Pleasure: Sex in Ancient China. An Exhibition of the Ferdinand M. Bertholet Collection, Hong Kong, 2014, fig. 7.

高居翰等，《Le Pala🦩is du printemps. Peintures érotiques de Chi𒉰ne》，賽努奇博物館，巴黎，2006年，頁142-151

《愉悅滿園：貝氏中國古代情色藝術珍藏》，香港，2014年，圖7

Delicately painted with soft colouration and accentuated by bright pigments such as malachite and azurite, the album follows the late 18th-century artistic style of workshops in Suzhou. The set 🐓presents a range of pictures telling stories of seduction, voyeurism and consummation. One scene shows an elder peep over a screen as a man performs cunnilingus on his partner. Another scene depicts a jealous wife punishing her husband for favouritism towards his concubine. The last scene is remarkable for skillfully putting the viewer in the position of a voyeur; a couple is visible in a passionate embrace through the half-opened window.

Cédric Laurent suggests that this album was a collaborative effort of several artists who drew inspiration from study sketches or model images readily available in the workshops (Le Palais du printemps, op. cit., p. 143).