Sculptur🐻e to Wear, Inc., New York (acquired in 1968ಌ for $3600)

Acquired from the above by the present owner

Dore Ashton, Pol Bury, Maeght, Paris, 1970, p. 139

Bijoux de Pol Bury, Galerie Maeght, Paris, 1972, no. 32

Ralph Turner, Jewelry in Europe and America: New Times, New Thinking, Thames and Hudson, 1996, p. 24

Diana Küppers, Künstlerschmuck = objets d’art, Hirmer, Munich, 2009, p. 38

Emmanuel Guigon, Bijoux d’Artistes: une collection, Silvana Editoriale, Milan, 2012, p. 67

Paola Stroppiana, Scultura Aurea, Gioielli d’Artista per un nuovo Rinascimento, Gli Ori, Pistoia, 2019, p. 60

Manon Lecaplain, Emmanuel Guigon, et al., Picasso y las joyas de artista, Museu Picass𒈔o, Barcelona, 2021, p. 123 for later version

New York, Sculpture to Wear, Inc., 1971

Boston, Institute of Contemporary Art, Jewelry as Sculpture as Jewelry, 1973

Spoleto, Italy, Palazzo Collicola, Gioielli Come Sculture – Jewellery as Sculpture: Bijoux d’Artistes, 2018

In 1971, the New York Post noted that Bury ‘…thinks the rings, bracelets and medallions should be sold with their own cubes… [so] when they are not being worn they could be set on the cubes like a miniature sculpture. He may be starting more than he thinks. Bury’s jewellery certainly can stand alone as miniature works of art.’ — Morelle Davidson, ‘Jewellery Maker Profile: Pol Bury,’ Knowledge Centre