Session begins in
July 11, 09:30 AM GMT
Estimate
3,000 - 5,000 GBP
Lot Details
Description
GIOVIO, PAOLO. Historiarum sui temporis [tomus primus]. Florence: Lorenzo Torrentino, August 1550
FIRST EDITION OF A SEMINAL WORK OF MODERN HISTORIOGRAPHY IN A CONTEMPORARY FLORENTINE BINDING, WITH AN INTRIGUING MANUSCRIPT DEDICATORY SONNET. A clue as to the sonnet's addressee is given through repeated instances of punning on the Lady's name: "Se sei Selvaggia come havrò mai speme" (Who 🗹made you heiress of the name Savage) (line 5), immediately after the volta "Se sei Salvaggia come havrò mai speme" (If you are Savage how will I ever have hope?) (line 9), and in the final line "Il piu ferin d'ogni selvaggio seme" (The most wild of every savage seed) (line 14). In a literal sense, the puns point to the addressee's likely identity as a member of the Selvaggio family, whilst also cleverly playing with the idea of the Lady having a cratylic name, casting her as cruel both by name and by nature. This Petrarchan trope of the cruel female lover extends to a 1-line inscription on the verso of the endleaf, written in the same hand: "Ò Che dolce languir per donna ingrata" (O how sweet to languish for an ungrateful woman). This inscription appears to be a direct quotation from the lyrics of a madrigal by the Franco-Flemish composer Cipriano de Rore (1515-1565).
This fine binding was produced by a workshop with apparent connections to the Medici court. Another binding, which is less elaborate, and smaller, but decorated with the same tools and distinctive edge gauffering, covers a copy of L'Ethica d'Aristotile printed by Torrentino in 1550/1551, possibly the dedication copy for Cosimo de’ Medici (Breslauer, Catalogue 104, item 33; subsequently Quaritch, Catalogue 1178, item 9). The centrepiece is also found on Legature papali, no. 37, plate XXXV (De Marinis 1183), a manuscript presenteꦯd to Pope Clement VII.
first edition, printed on large and heavy paper, part one (only, of 2), large folio (409 x 260 mm). Roman type, 53 lines plus headline. collation: π4 A-K6 L4 M-Z6 Aa-Dd6 Ee4: 168 leaves. Title-page with woodcut device, woodcut initials, dedicatory sonnet in manuscript in an early modern hand to front free endpaper and 1-line inscription in the same hand to lower endleaf. (Large tear extending across M2 wiꦰth torn𒁏 section of leaf crudely re-attached at margins, spotting and dampstaining.)
binding: Contemporary Florentine binding (415 x 279 mm), mottled olive brown morocco, paneled in gilt and blind with a wide border of leafy volute tools with fleurons andꦺ small le൲af tools at corners, in centre a large ogival centrepiece composed of repetitions of an arabesque wedge-shaped tool framed by a cartouche of leafy volutes and a classical-plinth tool, spine tooled in gilt with disc-and-star pallets and small leaf tool in compartments, traces of 4 pairs of ties, edges blue-green wash gauffered in gilt with a semé of small stars and crescent moons. (Rebacked and recornered retaining most of original spine.)
provenance: Anonymously composed dedicatory sonnet in Italian in an early modern hand, apparently addressed to a lady of the Selvaggio family, to front free endpaper—late-seventeenth-century armorial (sable, three tilting spears / lance de tournois fesswise, or, with an unfinished cadency borne in chief and a noble helmet in profile) in polychrome wash on upper pastedown—erased nineteenth-century ownership inscription to title-page and traces of removed bookplate to verso of front free endpaper—K.J. Hewett (1919-1994), London-based antiquities dealer, booklabel to rear pastedown—Patrick King, Catalogue 17, no. 25. acquisition: Purchased in 1999 from Patrick King, Stony Stratford. references: USTC 833173; Edit16 CNCE 21172
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