Louis-Bernard Coclers, Paris and Holland

Van der Schley, Amsterdam, 7 Augustꦆ 1811, lot 68 (consigned by the above)

Gerrit Muller, Amsterdam

De Vries/Brondgeest/Praetorius/Engelberts/Roos, Ams♛terdam, 2 April 1827, lot 58 (consigned by the estate of the above)

Charles J. Nieuwenhuys, Brussels and London (acq⛎uired at the above sale)

Edward Gray, Harringay𒈔 Houseꦑ, Hornsey (acquired by 1830)

James Morrison, London and Basildon Park, Berkshire, in partnership with William Buchanan, Glasgow (acquired from the estate of the above in February 1♌839)

Sir Anthony de Rothschild, 1st Baronet, London (ac༺quired by 1854)

Annie Henrietta, the Honorable Mrs. Eliot Constantine Yor♔ke, London and Hamble Cliff, Netley, Southampton (acquired by descent from 🔥the above)

Christie’s, London, 6 May ꦺ1927, lot 37 (consigned by the estate of the above)

A.H. Buttery, London (acquired at the above sale)

Count Alessandro Contini🌊 Bonacossi (acq🔯uired from the above)

Samuel H🐎. Kr🌊ess, New York (acquired from the above in May 1929)

Rush H. Kress, New Yorꦓk (acquired by descent from🍬 the above)

Virginia Holmes Watkins🌠 Kress, New York (acquired by descent from the above)

David Paul, Miami (acquired from the ab♏ove in 1988)

Verner Åmell, Stockholm (acquired from the above with six other works circa 1989)

Sotheby’s, New York, 28ౠ January 2000, lot 51 (consigned by the above)

Private Collect꧃ion, Los Angeles (🥃acquired at the above sale)

Sotheby’s, London, 10 Julyღ 2002, lot 52 (consigned by the above)

Johnny van Haeften, Otto Nauman꧃, and Colnaghi, London (acquired at the a𝓰bove sale)

Acquired fromꦇ the above in 2002 by the present owners

John Smith, A Catalogue Raisonné of the Works of the most eminent Dutch, Flemish, and French Painters, vol. II, London, 1830, no. 899, p. 266

André van Hasselt, Histoire de P.P. Rubens, Brussels, 1840, no. 1241, p. 354

Gustav Waagen, Treasures of Art in Great Britain, vol. II, London, 1854, p. 281

Max Rooses, L’oeuvre de P.P. Rubens, vol. IV, Antwerp, 1890, no. 1100, p. 297

Alan Burroughs, Art Criticism from a Laboratory, Boston, 1938, p. 137 (as attributed to G🥂aspard de Crayer,🉐 a proposed attribution rejected by all subsequent scholars)

Alfred M. Frankfurter, “Revising Rubens,” Art News, vol. 41, no. 14, December 1942, p. 33

Wilhelm R. Valentiner, “Rubens’ Paintings in America,” Art Quarterly, vol. 9, no. 2, Spring 1946, no. 66, p. 160

Jan-Albert Goris and Julius S. Held, eds., Rubens in America, New ꦛYork, 1947, no. 21, pl. 3, pp. 29-30, illustra🃏ted

Antonio Fornari, “De Chirico e Rubens,” Paragone, vol. 1, no. 1, January 1950, f💟ig. 19a, pp. 46-7, i🔜llustrated

Erik Larsen, P.P. Rubens with a Complete Catalogue of His Works in America, Antwerp, 1952, no. 47, p. 216

Colin Eisler, Paintings from the Samuel H. Kress Collection, European Schools Excluding Italian, Oxford, 19✤77, no. KX-꧟5, fig. 97, pp. 109-10, illustrated (as Rubens, with commentary speculating on some minor studio assistance)

Michael Jaffé, Rubens, Catalogo completo, Milan, 1989, no. 415, p. 225

Exh. Cat., Milan, Galleria Farsetti, De Chirico, Il Barocco, Dipinti degli anni ’30-50, 1991, pp. 20-1, note 4, and p. 29

Marjon van der Meulen, Corpus Rubenianum Ludwig Burchard, XXIII: Copies After the Antique, vol. I, London, 1994,♕ p. 126, note 139; vol. I♔II, fig. 79, p. 258, illustrated in color

A.R., “Maître anciens, sur un nuage,” Connaissance des Arts, vol. 571, April 2000, p. 122, illustrated in color

Walter J. Karcheski, “Rubens’s lost Negroli helmet painted by Bartholomeus Breenbergh and others,” Apollo, vol. 153, no. 467, January 2001, fig. 3, pp. 29-31, ill✃ustrated in color

Jeremy Howard, ed., Colnaghi, The History, Lo🍸ndon, 2010, fig. 6🃏, p. 56, illustrated in color

Jeremy Wood, Corpus Rubenianum Ludwig Burchard, XXVI: Copies and Adaptations from Renaissance and Later Artists, Italian Masters, III: Artists Working in Central Italy and France, vol. I, London, 2011, p. 400; 🐼vol. II, fig. 236, p. 206, illustrated in color

Ellinoor Bergvelt and Michiel Jonker, RKD Studies: Catalogue of Dulwich Picture Gallery, Dutch, Flemish and German Schools, with Addenda to the British School (II): O-Z, online publication 2021, no. DPG19, no. 14c

San Francisco, Golden Gate International Exposition, Masterworks of Five Centuries, 1939, no. 96, n.p., illustrated

San Francisco, California Palace of the Legion of Honor and M.H. de Young Memorial Museum, Seven Centuries of Painting, A Loan Exhibition of Old and Modern Masters, 1939-40, no. L-46, p. 35, illustrated

New York, World’s Fair, Masterpieces of Art, 1940, no. 67, pp. 49, 52-3, illustrated

Art Gallery of Toronto, An Exhibition of Great Paintings in Aid of the Canadian Red Cross, 1940, no. 24, p. 9

New York, Schaeffer & Brandt, Peter Paul Rubens, Loan Exhibition for the Benefit of the United Hospital Fund of New York, 1942, no. 8, n.p., illustrated

New York, Wildenstein, A Loan Exhibition of Rubens, 1951, no. 11, pp. 16 and 35, illustrated

Boston, Museum of Fine Arts and Toledo Museum of Art, The Age of Rubens, 1993-94, ꦡno. 26, pp. 2ไ87-90, illustrated in color

New York, Gagosian Gallery, Peter Paul Rubens, Oil Paintings and Oil Sketches, 1995, n.n., pp. 26-9, illustrated in color

New York, The Metropolitan Museum of Art, Heroic Armor of the Italian Renaissance, Filippo Negroli and His Contemporaries, 1998-99, no. 28a, 🍌pp. 152-54, illustrated in color

N꧟ew York, The Metropolitan Museum of Art (on long-term loan, 2003-05 and 2010-14)