T he in London has exported one of its most recognizable projects to China, launching the first international . Zaha 𒐪Hadid created🎃 the inaugural design for this high-profile architectural platform at the Kensington Gardens gallery in 2000, and last year’s iteration by the African architect Diébédo Francis Kéré attracted more than 200,000 visitors.

Local architecture practice Jiakun Architects has designed the Beijing space, which opened in May and occupies around 250 square metres of lawn at the WF Central retail hub in the historic Wangfujing neighbourhood. “Our design incorporates the forces of elasticity through a series of cables stretched between steel plates,” says Liu Jiakun,🐽 the firm’s founder, adding that it draws inspiration from Confucianism.

The venue, which 🃏is open until the autumn, will be u🥃sed for cultural and social events. Hans-Ulrich Obrist, the Serpentine’s artistic director, emphasizes its versatility: “The pavilion is like a content machine, it becomes an instrument and a platform for performances, films and discussions.”

Is this about building the Serpentine brand worldwide? “This is a way of contributing to t𒐪he global discussion; we do not believe in franchisi🦩ng and want to build links in a local context,” Obrist says.

^{The Serpentine Pavilion Beijing is on view through 28 October.}