- 109
Kurt Schwitters
Estimate
50,000 - 70,000 USD
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Description
- Kurt Schwitters
- Z 57 Abstraktion
- Annotated Abstrakte Zeichnung 3 and Z 57 / Abstraktion. 80 M.7/We.W on the reverse of the mount
- Charcoal on paper laid down on the artist's mount
- 5 5/8 by 7 5/8 in.
- 14.3 by 19.3 cm
Provenance
Estate of the artist
Ernst Schwitters, Lysaker (by inheritance from the above)
Marlborough Galerie AG, Zurich
Marlborough Fine Art, London
Acquired from the above on Novem🎉ber 27, 1972
Exhibited
Stockholm, Konstsalongen Samlaren im Konstnärshuset; Copenhagen, Statens Museum for Kunst und Kunstfreningen; London, Marlborough Fine Art; Cologne, Wallraf-Richartz-Museum und Kölnischer Kunstverein; Rotterdam, Museum Boymans-van Beuningen; Milan,Toninelli Arte Moderna; Rome, Marlborough Galleria d’Arte, Kurt MERZ Schwitters. 1887-1948. Retrospektivt/Schwitters/Kurt Schwitters: Schilderijen, collages, sculpturen, tekeningen, 1962-64, no. 15
University of California Los Angeles; New York, Marlborough-Gerson Gallery; Kansas City (Missouri), The Nelson-Atkins Museum of Art; Art Gallery of Toronto, Kurt Schwitters. Retrospective, 1965, no. 10
Dallas Museum of Fine Arts; San Francisco Museum of Fine Art; City Art Museum of Saint Louis, Kurt Schwitters. A Retrospective Exhibition, 1965-66, no. 9
Düsseldorf, Städtische Kunsthalle; Berlin, Akademie der Künste; Staatsgalerie Stuttgart; Kunsthalle Basel; Kunstverein in Hamburg, Kurt Schwitters, 1971, no. 10
London, Marlborough Fine Art; Zürich, Marlborough Galerie; New York, Marlborough Gallery; Rome, Marlborough Galleria d’Arte; Vienna, Museum des 20. Jahrhunderts, Kurt Schwitters, 1972-73, no. 6
New York, The Museum of Modern Art; London, Tate Gallery; Hannover, Sprengel Museum, Kurt Schwitters, 1985-86, illustrated p. 17
University of California Los Angeles; New York, Marlborough-Gerson Gallery; Kansas City (Missouri), The Nelson-Atkins Museum of Art; Art Gallery of Toronto, Kurt Schwitters. Retrospective, 1965, no. 10
Dallas Museum of Fine Arts; San Francisco Museum of Fine Art; City Art Museum of Saint Louis, Kurt Schwitters. A Retrospective Exhibition, 1965-66, no. 9
Düsseldorf, Städtische Kunsthalle; Berlin, Akademie der Künste; Staatsgalerie Stuttgart; Kunsthalle Basel; Kunstverein in Hamburg, Kurt Schwitters, 1971, no. 10
London, Marlborough Fine Art; Zürich, Marlborough Galerie; New York, Marlborough Gallery; Rome, Marlborough Galleria d’Arte; Vienna, Museum des 20. Jahrhunderts, Kurt Schwitters, 1972-73, no. 6
New York, The Museum of Modern Art; London, Tate Gallery; Hannover, Sprengel Museum, Kurt Schwitters, 1985-86, illustrated p. 17
Literature
John Elderfield, Kurt Schwitters, London, 1985, no. 17, illustrated p. 413
Dorothea Dietrich, The Collages of Kurt Schwitters: Tradition and Innovation, Cambridge, Massachusetts, 1993, no. 23, illustrated p. 57
Kim Behm, Nachkriegszeichnungen von Kurt Schwitters (1918-1923), Marburg, 1997, illustrated p. 15
Isabelle Ewig, Kurt Schwitters Oxymore ou l’art de la contradiction, Paris, 2000, illustrated p. 375
Karin Orchard and Isabel Schulz, ed., Kurt Schwitters: Catalogue Raisonné 1905-1922, Bonn, 2000, no. 318, catalogued p. 148
Dorothea Dietrich, The Collages of Kurt Schwitters: Tradition and Innovation, Cambridge, Massachusetts, 1993, no. 23, illustrated p. 57
Kim Behm, Nachkriegszeichnungen von Kurt Schwitters (1918-1923), Marburg, 1997, illustrated p. 15
Isabelle Ewig, Kurt Schwitters Oxymore ou l’art de la contradiction, Paris, 2000, illustrated p. 375
Karin Orchard and Isabel Schulz, ed., Kurt Schwitters: Catalogue Raisonné 1905-1922, Bonn, 2000, no. 318, catalogued p. 148