Alan Bowness, ed., Henry Moore Complete Sculpture, 1955-1964, vol. 3, London, 1986, no. 436, 𒁏illustration of another cast p. 37

Throughout the 1950s Henry Moore worked voraciously, conceiving several of his most iconic works including the celebrated sculpture King and Queen (1952). Though his production was prolific, Moore’s imagination and cre💙ative stam𒁏ina was exemplary, as the quality of the present work testifies.

Seated Figure on Square Steps is a stunning example of Henry Moore’s Fifties period, a decade in which he challenges the idea of space through various means. In this case the redevelopment of the base is a key part of his thinking. Our figure sits, semi-upright and cur♔ved in form, dramatically juxtaposed against the stairs beneath her. Moore is using the steps as an organization of space- an even, structured form that works as a wonderful artistic progression from the standard plinth.

Moore worked on a numb☂er of enormous projects in the 1950s and naturally they all involve a characteristic monumentality. Works including the massive Unesco commission in Paris and the brick relief on the Bouwcentrum in Rotterdam are testament to a sculptor gaining a formidable reputation and executing ideas unburdened by monetary restriction. Indeed the present work is one of 11 maquettes for the Unesco commission which was a formidable test even for sculptor of Moore’s skill.

‘The commission to make a work for the Unesco headquarters in Paris occupied Moore for over four years, during which time he filled notebooks with sketches and ideas as well as completing eleven maquettes on the subject. This led to his biographer, Roger Berthoud, dubbing the group “the daughters of Unesco”. ' (D. Mitchinson, Celebrating Moore, London, 1998, no. 181, p. 253)