Private collection Dr. Wolfgang Hofstätter and thence by descent

This Madonna and Child are survivors and exhibit wear consistent with having been exposed to the elements. The base and figure are carved separately and the crown is associated. There is a loss to the Child's head and cracks throughout along the grain of the marble which are likely the result of prolonged exposure to a damp environment. There are traces of later paint particularly on her sides. Chips, cracks and losses throughout.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This sensitively carved depiction of the Virgin and Child is consistent with extant figures that survive from the first third of the 14th century.  In her right hand the Virgin holds a lily, symbol of Virginity, whilst the fragmentary Child is held in her left hand. He is reaching out towards the bird, representing the Soul, on her breast.  Her mantle falls in soft folds emphasising her contra posto position. Compare in particular with the Virgin and Child in the Louvre originating from Beauvais in the Oise region (inv. no. RF 1775).

RELATED LITERATURE
F. Baron, Sculpture Française I - Moyen Age, Musée du Louvre, Paris, 1996, p. 130