with some features possibly carved from white coral, within glazed gilt wood framework carved with rocaille scrolls and shell motifs, above beneath a canopy a coloured print of St John the Baptist

Overall the condition of the group is very good, with minor wear consistent with age. Some of the elements of the crèche appear to have been reattached as there are traces of old glue. The frame is also in good condition with minor chips and surface dirt to the gilding.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present crèche reflects the tradition of  tableaux popular in the coral workshops of Trapani in the 17th century and which by the 18th century had been developed with the use of intricately carved ivory and bone figures in glazed frames.  Particularly of note was the workshop of Andrea (1725-1766) and Alberto (1732-1785) Tipa. For examples of their work see the 1966 exhibition catalogue.

RELATED LITERATURE
Larte del corallo in sicilia, exh. cat. Museo Civico (Termini Imerese, Sic⛦ily, 1966)