a group of 3 photographs, comprising 'Eleanor, Chicago,' 'Eleanor' (at the window), and 'Eleanor, Port Huron,' each signed by the photographer with a stylus or in pencil in the margin, annotated, possibly by him, in pencil on reverse, matted, 1947-54, printed later (MoMA, pp. 13 and 21; Eleanor, pp. 8, 13, and 22-3; Bunnell, cover and p. 35; Photographer at Work, fig. 5; Callahan, p. 81; Aperture, cover and p. 7) (3)