Robert Miller Gallery, New York

Colours: The colours in the catalogue illustration are fairly accurate although the overall tonality is lighter and more vibrant in the original, with crispier and brighter whites. Condition: This work is in very good condition. There are some minor traces of dust adhering in a few scattered places to the thicker impasto peaks as well as to the overturn edges. Some very light wear is noticeable in places to the four extreme corner tips upon very close inspection. A number of minute hairline tension cracks are present along the four extreme overturn edges, resulting in a few scattered isolated specks of tiny paint loss. There is a very light discoloured rub mark 5cm above the upper left corner. No restoration is apparent when examined under ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."