Maurice Gangnat, Paris (acquired from the artist; sale: Hôtel Drouot, Paris, Collection Maurice Gangnat, 24th & 25th June 1925, lot 37)
Purchased at 🗹the above sale by the family of the present owner

The canvas is not lined. There is no evidence of retouching under ultra-violet light. This work is in very good condition. Colours: overall fairly accurate, although slightly lighter and fresher in the original.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Renoir's late landscapes, in the same tradition as his still lifes and figure paintings, were often small in format and rapidly executed, little more than sketches. This particular painting, with its vibrant brushstrokes and fluid, almost glowing forms giv🎉es a sketch-like impression, however the carefully organised composition and vivid choice of colours reveal the work to be much more than a simple sketch. Two sets of trees frame a receding landscape, in which two figures relax, enjoying the bright sun of the afternoon. The deep blues of the shade and the pinks of the sunlight are excellent examples of Renoir's attention to colours, often bringing out the unexpected undertones of a shadow or patch of sun in an effort to truly capture the feeling of a specific time and place. The present work originally belonged to noted Renoir collector and friend Maurice Gangnat, who acquired it directly from the artist.