- 356
Joan Miró
Description
- Joan Miró
- Sans titre
- Signed twice, dated 6/1967 and inscribed Pour Jean Celestin, avec toute mon amitié (lower right)
- Gouache and ink wash on paper
- 25 3/8 by 18 7/8 in.
- 64.5 by 48 cm
Provenance
Private Collection
Galerie Cazeau La Beraudière, Paris
Private Collection
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The present work, with its exuberant black brushstrokes, bold lines and striking colors, is a wonderful example of the joyful, childlike abstraction Miro aspired to during the late 1960s. Abandoning a more realistic and figurative approach, Miró developed a highly personalized vocabulary of signs, relishing whimsical and ambiguous shapes that take form in shifting and delightful ways. As Sandra Ditch suggested, 'the art of Joan Miró heralds a deep grasp of the marvelous. Beyond childlike innocence, romantic fantasy and poetic reverie, the marvelous for Miró connotes a cosmic perspective and focus on the dynamics of creation' (Sandra Stich, Joan Miró: the Development of a Sign Language (exhibition catalogue), 🌃Washington Univer💞sity, St. Louis, 1980, p. 8).
This work was used as a design for an exhibition poster: Salon de Mai, XXIIème Salon, held from May 2 - 22, 1966, at the Musée D'art Moderne de la Ville de Paris.
Please note the present work will be sold together with the poste💮r for which it was the desig🌼n, illustrated below.