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Topaz, citrine quartz and demantoid garnet flower brooch, Tiffany & Co., circa 1900, made for the Paris Exhibition
Description
- Tiffany & Co.
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The present brooch is likely the work of the highly talented Paulding Farnham who became Tiffany's head jewelry designer in 1891. Paulding Farnham catapulted to fame as the designer of the spectacular Tiffany orchid brooches, a series of twenty-four startingly life-like gold and enamel flowers that were made for the Paris Exposition Universelle💫 in 1889.
Accompanied by GIA report no. 1102195610.
Geo♉rge Paulding Farnham (1859-1927) was born in New York City to a prominent family. One maternal aunt married Charles T. Cook who♍ was the vice president of Tiffany & Co. and chief assistant to Charles Louis Tiffany; after Tiffany's death, Cook became president of the firm. Encouraged by his uncle, Farnham becaume a student of Edward C. Moore (1827-1891) the director of Tiffany's silver shop, who established a training course in decorative arts known as "The Tiffany School" that stressed drawing from natural objects.