The canvas has been relined. The paint surface is secure and under a dirty varnish. There are scattered retouchings. Inspection under UV light rendered insatisfactory by the varnish. Offered in an elaborate carved gilt wood frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A slightly later derivation, from circa 1600, of del Sarto's original in Rome, Galleria Nazionale (see J. Shearman, Andrea del Sarto, vol. II, Oxford 1965, p. 163, cat. no. 73, reproduced, vol. I, plate 133 b).