The canvas has a quite recent relining. There are numerous scattered damages throughout, the largest being to the upper right (8cm), to the upper centre (29 and 27cm), to the lower centre (6x4cm) and to the upper right (4x2cm). The paint surface, which is covered in a thick layer of dirt and discoloured varnish, is otherwise in quite good condition. Inspection under ultraviolet light reveals some quite extensive retouchings to the more thinly painted tones most of which have slightly discoloured, the more thickly painted areas are better preserved. Offered in a later wood frame in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A 17th-century copy after the original in the Mandolfo Collection in Rome (see M. Nappi, François de Nomé e Didier Barra, Milan 1991, p. 46, cat. no. A3, reproduced in colour).