signed by the photographer in ink and with his copyright blindstamp in the margin, matted, 1933, printed later (Cartier-Bresson, pl. 20; The Artless Art, pl. 235; Galassi, pp. 41 and 127)

This print, on cool-white semi-glossy paper with a light surface texture, is in generally excellent condition. Visible in raking light are two faint handling creases on the left side of the print. Also visible are small deposits of original retouching.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.