signed, titled, dated, and numbered '24/75' by the photographer's daughter, Doon Arbus, in ink, and with the 'A Diane Arbus Photograph' stamp on the reverse, matted, framed, 1962, printed later by Neil Selkirk from DIANE ARBUS's negative, no. 24 in an edition of 75

Acquired by the present owner from Lunn Gallery, Washington, D. C., 1977

Other prints of this image:

Diane Arbus (Aperture, 1972, in co𝔉njunction with the exhibit🌞ion originating at The Museum of Modern Art, New York), unpaginated

Diane Arbus: Revelations (New York,🙈 2003, in conjunction with the exhibitioꦍn originating at the San Francisco Museum of Modern Art), pp. 104-05, 164, and 208

Peter Galassi, American Photography, 1890-1965 from The Museum of Modern Art (The Museum of Modern Art, 1995), p. 243

Peter Turner, ed., American Images: Photography 1945-1980 (London: Barbican Art Gallery, 1985), p. 154

Jonathan Green, American Photography: A Critical History 1945 to the Present (New York, 1984), p. 119

Susan Kismaric, American Children: Photographs from the Collection of The Museum of Modern Art (The Museum of Modern Art, 1🧸980, in conjunction with the exhibition),♔ p. 20

Photography/Venice '79 (New York, 1979), p. 336

This photograph is in generally excellent condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.