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Lot 74
  • 74

Alan Charlton

Estimate
7,000 - 10,000 GBP
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Description

  • Alan Charlton
  • 1989
  • signed, titled and inscribed on the stretcher bar of one of the canvases
  • acrylic on canvas
  • each part: 238.5 by 40.5cm.; 94 by 16in.

Provenance

Galerie P. Huber, Geneva, where p𓂃urchased by the present owner, 1990

Condition

Each canvas appears to be in good original condition. There are a few minor scuffs to the paint surfaces which are otherwise in good overall condition. Unframed. Please telephone the department on 020 7293 5381 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Alan Charlton has been making monochrome paintings since 1969, using standardised products to create minimalist works which question the hand of the artist in the artwork. In the present work, Charlton continues his practice by painting uniformly in grey and ensuring that the standard measurement of the stretcher depth, including the canvas, is 4.5cm. Charlton described his use of these two constants, 'I use these two constant elements to discover different ways of making paintings. The paintings are not composed within the traditional rectangle picture frame but within the whole space of the room, therefore the space they exist in is part of the work'. (The artist, quoted from //www.southampton.gov.uk/leisure/arts/sotonartgallery)