The painting is very slightly cooler in tone than the catalogue illustration suggests. The signed canvas had an old but effective relining which has not flattened the paint surface. Some old minor frame abrasion is present. The paint surface appears to the naked eye to be clean, beautifully preserved with its impasto and in good confdition. Inspection under UV light confirms the excellent condition with only very minor strengthenings and a restored scratch and retouching in the sky. Offered in a carved and gilt wood frame in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Similar dilapidated and picturesque stone structures, set above or beside a rocky torrent,  are a feature of many of Pillement's paintings from the late 1780s and early 1790s. Compare, for example, that of 1786 sold New York, Christie's, 19 May 1994, lot 95, or that of 1793 sold Paris, Arteval, 13 December 2005, lot 44.