The canvas has been re-lined. There are scattered areas of retouching visible under ultraviolet light, notably to the background, and scattered spots in the lower left quadrant. Apart from scattered areas of craquelure, a hairline scratch at the centre and a few spots, notably at the centre of the upper edge, where the canvas is lifting, this work is in good condition, with rich tones and fine detail. Held in a simple, gold-painted moulded plaster and wood frame with beaded motifs.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Painted in the manner of Étienne Jeaurat (1697-1789), this conversation piece is resonant with the style of the eighteenth-century school of French painters of Turkish life, which also included Carle van Loo, Antoi𝓀ne de Favray, and Jean-Étienne Liotard.