- 29
Richard Cosway R.A.
Description
- Richard Cosway R.A.
- Portrait of King George IV, when Prince of Wales (1762-1830)
- with powdered and curled hair, wearing broad-rimmed black hat trimmed with ostrich plumes, a gold-edged white doublet and a red cloak, with the sash and star of the Order of the Garter, cloud and sky background
- watercolour on ivory, held in an associated diamond-set gold fausse-montre frame
- 7.1 by 5.9 cm.; 2 7/8 by 2 1/4 in.
Provenance
John Lumsden Propert (1834-1902).;
John Pierpont Morgan, his sale Christie's London, 24-27 June 1935, lot 247 (bt, £462, Frost and Read);
Anonymous sale, Bonhams London, 22 May 2003, lot 131
Exhibited
London, Burlington Fine Arts Club, Exhibition of Portrait Miniatures, 1889, case XXXVI, p. 111, no. 59
Literature
G.C. Williamson, Catalogue of the Collection of Miniatures The Property of J. Pierpont Morgan, vol. II, 1907, no. 264, pl. 41;
The Connoisseur, May, 1907
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
In October 1782 Lady Spencer wrote to her daughter, the Duchess of Devonshire, informing her that 'The Prince [of Wales] dresses his hair in a new way, flattish at [the] sides, frizzed and widish at each side and three curls at the bottom of this frizzing'. The present work, datable to the late 1780s, is clearly painted after the Prince had taken up this new style.
The Prince of Wales's name was first listed in Cosway's accounts in🃏 1781; thereafter it appeared frequently. The importance of this royal patronage, which was for a long time strengthened by friendship, led Cosway to sign his works 'Primarius Pictor Serenissimi Walliae Principis'. However the close friendship came to an end in 1811 following a rift between the artist and the sitter.