- 45
Walter Leblanc
Estimate
15,000 - 20,000 GBP
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Description
- Walter Leblanc
- Torsions Mobilo-Static - Weiß auf Schwarz
- signed on the reverse; signed and dated 1967 on a label affixed to the reverse
- polyvinyl on masonite
- 120 by 120 by 4cm.
- 47 1/4 by 47 1/4 by 1 1/2 in.
Provenance
Galerie Ursula Lichter, Frankfurt am Main
Acquired directly from the above by the present owner in 1969
Acquired directly from the above by the present owner in 1969
Exhibited
Frankfurt am Main, Studio Galerie, Goethe Universität, Serielle Formationen, 1967
Frankfurt am Main, Galerie Ursula Lichter, Walter Leblanc, 1969
Salzburg, Museum Carolino Augusteum, Bilder und Objekte aus der Sammlung Lenz Schönberg. Eine europäische Bewegung, 1985, n.p., illustrated
Moscow, Zentrales Künstlerhaus, Sammlung Lenz Schönberg. Eine europäische Bewegung in der bildenden Kunst von 1958 bis heute, 1989, p. 149, illustrated
Warsaw, Galeria Zachęta, Sammlung Lenz Schönberg. Aus der Stille der Zeit - über die Grenzen von Raum, 1992, p. 127, illustrated
Frankfurt am Main, Galerie Ursula Lichter, Walter Leblanc, 1969
Salzburg, Museum Carolino Augusteum, Bilder und Objekte aus der Sammlung Lenz Schönberg. Eine europäische Bewegung, 1985, n.p., illustrated
Moscow, Zentrales Künstlerhaus, Sammlung Lenz Schönberg. Eine europäische Bewegung in der bildenden Kunst von 1958 bis heute, 1989, p. 149, illustrated
Warsaw, Galeria Zachęta, Sammlung Lenz Schönberg. Aus der Stille der Zeit - über die Grenzen von Raum, 1992, p. 127, illustrated
Literature
Nicole Leblanc, et al., Walter Leblanc: Catalogue Raisonné, Bruges 1997, p. 224, no. 782, illustrated
Anna and Gerhard Lenz with Ulrike Bleicker-Honisch, Epoche Zero. Sammlung Lenz Schönberg. Leben in Kunst, Volume I, Ostfildern 2009, p. 171, no. LEB-01, illustrated in colour
Anna and Gerhard Lenz with Ulrike Bleicker-Honisch, Epoche Zero. Sammlung Lenz Schönberg. Leben in Kunst, Volume I, Ostfildern 2009, p. 171, no. LEB-01, illustrated in colour
Condition
Colour: The colours in the catalogue illustration are fairly accurate, although the illustration fails to convey the three-dimensional nature of the work.
Condition: This work is in very good condition. Close inspection reveals a few minute spots of media accretion scattered to the polyvinyl ribbons throughout and a very small spot of paint loss to the black backing board towards the centre of the left edge. No restoration is apparent under ultra-violet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."