Private Collection, France (acquired in the 1920s)
Thence by descent to the present owners

The canvas is not lined. There are some small spots of retouching along the top edge to cover previous frame rubbing, some small spots to the top right corner and a small spot of retouching to the lower right corner, all retouching is visible under UV light. This work is in very good condition. Colours: Lighter, more varied and more attractive in the original.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Painted circa 1905, the present work depicts a washerwoman by a creek of Le Vert river in Marquayrol, only a few metres downstream from the bridge of Labastide-du-Vert where Martin acquired a home in 1900. After searching for almost ten years,♉ Martin finally acquired a beautiful house overlooking Ladastide-du-Vert, near Cahors in southwest France. The house and the region became his main source of inspiration and deeply influenced his style. It was here that tꦑhe artist found the southern light denied him in Paris which stimulated and fulfilled his artistic needs.

Claude Juskiewenski suggests that this move 'at the age of forty marks a decisive turning point in his artistic output. Muses and lyres disappear from his canvases and he dares to confirm daily the light of the south' (C. Juskiewenski, Henri Martin 1860-1943 (exhibition catalogue), Cahors & Toulouse, 1993, p. 98). In the present work, Martin's attachment and sensitivity to th♔e region is clear as he endearingly presents the play of lig♐ht and shade at twilight, with its subdued though rich and vibrant hues, so typical of the area.