- 164
Albert Marquet
Estimate
120,000 - 180,000 USD
Log in to view results
bidding is closed
Description
- La Martinique à Alger
- Inscribed La Martinique Alger 32 mm (on the reverse)
- Oil on canvas
- 21 1/2 by 25 5/8 in.
- 54.6 by 65.1 cm
Provenance
Madame Marquet (the artist's wife)
Exhibited
Paris, Musée d'Art Moderne, Albert Marquet, 1875-1947, 1948, no. 67
Copenhagen, Statens Museum for Kunst; Oslo, Kunstnernes Hus, Albert Marquet, 1875-1947, 1950, nos. 30,31
Jerusalem, Bezakek Museum; Tel Aviv Museum, Exposition Albert Marquet, 1875-1947, 1951, no. 27
Moscow; St. Petersburg, Albert Marquet, 1958-59, nos. 14, 30
Kiev, Albert Marquet, 1959
Belgrade, Narodni Muzej, Albert Marquet (1875-1947), 1960, no. 20
Lyon, Palais de Arts, Marquet, 1962, no. 50 (incorrectly dated 1924)
New York, Knoedler & Co., Marquet, 1964, no. 37
Montreal, Museum of Fine Arts; Quebec, Musée des Beaux Arts; Ottawa, National Gallery of Canada, Albert Marquet, peintre français, 1964, no. 33, illustrated in the catalogue
Paris, Artcurial, Albert Marquet, 1981
New York, Wildenstein & Co.; London, Wildenstein & Co., Albert Marquet, 1985, pp. 97-98, illustrated in the catalogue
Lausanne, Foundation de l'Hermitage, Albert Marquet: 1875-1947, 1988, no. 81, illustrated in the catalogue
New York, Wildenstein & Co., Albert Marquet: Paintings, 1998
Saint-Tropez, L'Annonciade, Musée de Saint Tropez, Albert Marquet: Journal de bord en Méditerranée, 2001, p. 94, illustrated in the catalogue
Copenhagen, Statens Museum for Kunst; Oslo, Kunstnernes Hus, Albert Marquet, 1875-1947, 1950, nos. 30,31
Jerusalem, Bezakek Museum; Tel Aviv Museum, Exposition Albert Marquet, 1875-1947, 1951, no. 27
Moscow; St. Petersburg, Albert Marquet, 1958-59, nos. 14, 30
Kiev, Albert Marquet, 1959
Belgrade, Narodni Muzej, Albert Marquet (1875-1947), 1960, no. 20
Lyon, Palais de Arts, Marquet, 1962, no. 50 (incorrectly dated 1924)
New York, Knoedler & Co., Marquet, 1964, no. 37
Montreal, Museum of Fine Arts; Quebec, Musée des Beaux Arts; Ottawa, National Gallery of Canada, Albert Marquet, peintre français, 1964, no. 33, illustrated in the catalogue
Paris, Artcurial, Albert Marquet, 1981
New York, Wildenstein & Co.; London, Wildenstein & Co., Albert Marquet, 1985, pp. 97-98, illustrated in the catalogue
Lausanne, Foundation de l'Hermitage, Albert Marquet: 1875-1947, 1988, no. 81, illustrated in the catalogue
New York, Wildenstein & Co., Albert Marquet: Paintings, 1998
Saint-Tropez, L'Annonciade, Musée de Saint Tropez, Albert Marquet: Journal de bord en Méditerranée, 2001, p. 94, illustrated in the catalogue
Literature
Jean-Claude Martinet & Guy Wildenstein, Marquet: catalogue de l'oeuvre peint, I. L'Afrique du Nord, Paris & Milan, 2001, p. 165, no. I-144, also cited pp. 166-167, under nos. I-145--I-147, illustrated p. 165
Condition
Canvas is unlined. Surface is clean. Some stable craquelure at lower right corner and in a few areas in the sky as well as central foreground. Small area of minor surface abrasion at lower left corner. Under UV light there are strokes of inpainting around extreme perimeter to address prior frame abrasion in addition to one nail-head sized stroke of inpainting at center of upper edge. Work is in very good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.