- 168
Albert Marquet
Estimate
35,000 - 45,000 USD
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Description
- Débarquement de sable
- Signed marquet (lower left)
- Oil on canvas
- 12 5/8 by 18 1/4 in.
- 32 by 46.4 cm
Provenance
Madame Marquet (the artist's wife)
Exhibited
Rotterdam, Museum Boymans; Arnhem, Gemeente Museum, Marquet, 1955-56, no. 9 (as Le chargement à la Siene, with incorrect measurements)
San Francisco, Museum of Art; Baltimore, Museum of Art; Cincinnati, Art Museum; Utica, Munson-Williams-Proctor Institute; Seattle, Museum of Art, Albert Marquet, 1958, no. 10 (as Loading Sand Along the Siene)
New York, Wildenstein & Co.; London, Wildenstein & Co., Albert Marquet, 1985, p. 90, illustrated in the catalogue
Tokyo, Fujikawa Galleries; Osaka, Fujikawa Galleries, Maîtres du XX siècle, 1986, no. 5, illustrated in the catalogue
Lausanne, Foundation de l'Hermitage, Albert Marquet: 1875-1947, 1988, no. 16, illustrated in the catalogue
New York, Wildenstein & Co., Albert Marquet: Paintings, 1998
New York, Wildenstein & Co., River Scenes of France: Paintings and Drawings of the 19th and 20th Centuries, 1998
San Francisco, Museum of Art; Baltimore, Museum of Art; Cincinnati, Art Museum; Utica, Munson-Williams-Proctor Institute; Seattle, Museum of Art, Albert Marquet, 1958, no. 10 (as Loading Sand Along the Siene)
New York, Wildenstein & Co.; London, Wildenstein & Co., Albert Marquet, 1985, p. 90, illustrated in the catalogue
Tokyo, Fujikawa Galleries; Osaka, Fujikawa Galleries, Maîtres du XX siècle, 1986, no. 5, illustrated in the catalogue
Lausanne, Foundation de l'Hermitage, Albert Marquet: 1875-1947, 1988, no. 16, illustrated in the catalogue
New York, Wildenstein & Co., Albert Marquet: Paintings, 1998
New York, Wildenstein & Co., River Scenes of France: Paintings and Drawings of the 19th and 20th Centuries, 1998
Literature
George Besson, Marquet, Paris, 1920, illustrated pl. 1
George Besson, Marquet, Paris, 1948, illustrated pl. 13
George Besson, Marquet, Paris, 1948, illustrated pl. 13
Condition
Canvas is lined. A thick layer of varnish on the surface is somewhat difficult to read through. Under UV light: a five inch vertical line of retouching just to the rigth of the ship's mast is visible to the naked eye. In addition there are retouches along the right edge and at edges around upper left corner to address prior frame abrasion. Otherwise fine, work is in fairly good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.