Martin Lawrence Galleries, New Orleans
Acquired from the above

Work is in excellent condition. Board is stable. Surface is clean. Under UV light: one pindot of inpainting at extreme lower edge four inches to the left of lower right corner, otherwise fine.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The fusion of love and flowers was a constant theme throughout Chagall's life, rendered in Les Bouquets dans le ciel with a fascinating treatment of scale and spatial arrangement of motifs. In this painting, the bouquet of flowers in full bloom almost erupts from the vase, filling a large proportion of the canvas. The dominance of the bouquet in comparison to the pair of lovers reflects Franz Meyer's description of Chagall's compositions as "merely words in a painted poem" (Franz Meyer, Chagall, Life and Work, New York, 1961, p. 372). The pair of lovers appear to float dreamily in a vacant space that is perfectly contrasted to the vivacious permanence of the flowers. Particularly striking in this work is the contrast between the thick impasto and deepl🔜y saturated colors of the bouquet and the lighter tones of the thinly brushed background from which the floating figures emerge.