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Lot 37
  • 37

Edward Weston (1886 - 1958)

Estimate
15,000 - 20,000 EUR
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Description

  • Edward Weston
  • Rag Doll and Sombrerito, 1925
  • photograph on paper
Tirage argentique d'époque. Au verso, initialé AB au crayon rouge.

Vintage silver print. On the reverse, initialled AB in red pencil.

Literature

Conger 188;
Amy Conger, Edward Weston in Mexico. 1923-1926, Albuquerque, San Francisco Museum of Art/ University of New Mexico Press, 1983, ill. pl. 2;
Sarah M. Lowe, Tina Modotti & Edward Weston. The Mexico Years, Londres/ New York, Merrell, 2004, ill. pl. 53.

Condition

This print is in very good condition. It is printed on a single-weight semi glossy paper. With a few small bumps in the lower part of the image. A few creases at the upper edge visible in raking light. With a light scratch towards the middle of the right edge, only visible in raking light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

A l'heure de la rédaction de ce catalogue, deux autres tirages nous étaient connus.

'The best of the still-lifes is one of a rag-doll and sombrerito against my black and grey sarape from Texcoco. I satisfy my desire to make calculated arrangements by still-life: it used to be an attempt to introduce life into a preconceived placing of studio properties, - pictures, pots, and what not, - always forced, though I was better than my co-workers in creating these artificialities. Now I am content to take life as I find it.' (Daybooks, 28 décembre 1925, p. 144.)