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Lot 31
  • 31

Lucas Samaras

Estimate
8,000 - 12,000 USD
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Description

  • Lucas Samaras
  • PANORAMA, 1983-1986
  • polaroid type 808 prints
a unique composition comprised of 40 ½- to 1-inch strips of Polaroid Type 808 prints, initialed and dated in pencil on the reverse, mounted, a Polaroid Collection label and Polaroid Collections stamp on the reverse, framed, 1983-86

Exhibited

Tokyo Metropolitan Museum of Photography, American Perspectives: Photographs from the Polaroid Collection, September🦹 - November 2000, and traveling to 3 other♛ venues through 2001 (see Appendix 1)

Literature

This composition:

Selections 2: From Polaroid Collection (Verlag Photographie, 1984), unpaginated

American Perspectives: Photographs from the Polaroid Collection (Tokyo Metropolitan Museu🌄m of Photography, 20꧃00), pl. 37

Condition

This unique Polaroid composition is in generally excellent condition. There is a rich range of colors with no apparent fading. The composition is kept together by pieces of paper tape that run its width. Upon close examination, various tiny disruptions to the glossy surface and pen-point-sized matte deposits of indeterminate nature are visible.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This unique composition is one of a series of Panoramas Samaras began in 1983.&nb🐟sp; These compositions utilized multiple 8-by-10-inch color Polaroid prints that Samaras cut into strips and meticulously reassembled.  This deconstruction and subsequent reconstruction of a scene creates an image that is simultaneously expanded and segmented, and produces a visual effect similar to David Hockney's collages (see Lot 6).