in the photographer's original wood frame, signed in ink on the paper tape on the reverse, 1947 (Eleanor, p. 16)

Gift of the photographer to gra🧔phic designer Robert Brownjohn, late 1940s, a student at Chicago's Institute of Design

By descent to the current owner, 1970

This early print, with astonishing detail and range of tonality not found in later prints, is in generally good condition. In raking light, cracquelure over the surface of the print is evident. When examined with a black light, this print does not appear to fluoresce.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This photograph, and those in Lot 144, come originally from the collection of graphic designer Robert Brownjohn (1925 - 1970).  In 1944, Brownjohn became a student at Chicago's famed Institute of Design, where he was a protégé of László Moholy-Nagy.  In 1946, Moholy appointed Harry Callahan as a photography instructor, and in 1949 Callahan became head of the photography department at the Institute.  Brownjohn remained at the ID until 1951, when he moved to New York to pursue a career in graphic design and was hired by the legendary furniture and product designer George Nelson.