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Lot 174
  • 174

Garry Winogrand

Estimate
5,000 - 7,000 USD
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Description

  • Garry Winogrand
  • UNTITLED (COUPLE WITH WOLF FROM THE ANIMALS)
  • Gelatin silver
signed in pencil on the reverse, circa 1962, printed no later than 1980 (Animals, p. 13)

Provenance

Fraenkel Gallery, San Fra✅ncisco, 🎃to a private collector, 1981

Acquired by the present owners, 2007

Exhibited

San Francisco, Fraenkel Gallery, Garry Winogrand Retrospective, November 1980 - January 1981

Condition

This print, on double-weight paper with a surface sheen, is in generally excellent condition. The negative edges are visible. The margins are 3/8 inches at the sides, and one inch at the top and the bottom. The corners are bumped, and there is slight rippling of the paper at the right and left edges. When examined in raking light, minor silvering is evident in the negative edges at the periphery of the image. The print is annotated 'GW.101.Y' in an unidentified hand in pencil on the reverse. Additional references are 'Figments from the Real World,' p. 130 and 'Looking at Photographs,' p. 189
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

'In photography the formal issue might be stated as this:  How much of the camera's miraculous desc🍨riptive power is the photographer capable of handling?  Or how much complexity can he make simple?  Or, conversely, how much diversity must he sacrifice for the sake of order?

'Consider Garry Winogrand's picture:  so rich in fact and suggestion, and so justly resolved; more complex and more beautiful than the movie that Alfred HItchcock might derive from it' (John Szarkowski, Looking at Photographs, p. 188).