Galerie Stadler, Paris
Galerie Krikhaar, Amsterdam
Acquired directly from the above by Willem Sandberg for the Peter Stuyvesant Collection in 1965

Amsterdam, Galerie Krikhaar, Saura exposeert Gouaches, 1965
Maastricht, Stichting Cultureel Centrum in Dominicanenkerk, Het Museum in de Fabriek, Peter Stuyvesant Collectie, 1968
Eindhoven, Bijenkorf (& travellling), Kunst over de Drempel, 1985
Amsterdam, Stedelijk Museum, Art Works: International Modern Art in the Industrial Working Environment, an Experiment over more than Thirty Years Peter Stuyvesant Foundation, 1991-1992, p. 155, illustrated in colour
Sevilla, World EXPO '92, Art in the Factory, 1992, no. 65, illustrated in colour

Colours: The colours in the catalogue illustration are fairly accurate although the overall tonality is warmer, richer and more vibrant in the original. The yellows are less orange in the original work. Condition: This work is in very good condition. The work is papertaped along the extreme edges to the mount. Some buckling of the sheet along the left edge. One soft finger-shaped crease at the middle of the right edge.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This work is registered in the Antonio Saura Archives, Geneva, and is accompanied by a certificate of authenticity