Acquired directly from the artist by Alexander Orlow for the Peter Stuyvesant Collection in 1966

Amsterdam, Stedelijk Museum, Corneille, 1966, no. 81
Maastricht, Stichting Cultureel Centrum in Dominicanenkerk, Het Museum in de Fabriek, Peter Stuyvesant Collectie, 1968
Eindhoven, Bijenkorf (& travellling), Kunst over de Drempel, 1985
Zevenaar, Turmac, 30 Jaar Peter Stuyvesant Collectie: Hommage à Spinoza, 1990
Amsterdam, Stedelijk Museum, Art Works: International Modern Art in the Industrial Working Environment, an Experiment over more than Thirty Years: Peter Stuyvesant Foundation, 1991-1992, p. 65, illustrated in colour 
Barcelona, Fondación Miró; Zaragoza, Palacio de la Lonja; Valencia, Museo de la Ciudad, El Arte Funciona, 1992
Sevilla, World EXPO '92, Art in the Factory, 1992, no. 20
Paris, École Nationale Supérieure des Beaux Arts, l'Art Actif, 1992

Colours: The colours in the catalogue illustration are fairly accurate although the overall tonality is slightly darker. Condition: This work is in very good condition. There are some very tiny hairline cracks, in the yellows of the lower left quadrant only visible under ultraviolet light. No restoration is apparent when examined under ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
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