Galleria Gian Ferrari, Milano
Ivi acquistato dall'attuale proprietario nel 1990

Parma,Galleria Niccoli, Arturo Martini, 1980
Tokyo, Contemporary Sculpture Centre, Arturo Martini, 1980, tav. 2, illustrato
Pietrasanta, Chiostro di San Salvatore, Omaggio a Martini, 1981
Milano, Palazzo Reale, Arturo Martini, 1985, n. 67, illustrato
Roma, Galleria Arco Farnese, Arturo Martini, 1986, n. 24, illustrato e intitolato Uragano
Aosta, Centro Saint Benin, Arturo Martini. Il gesto e l'anima, 1989

R. Franchi, Arturo Martini, Firenze 1949
G. Perocco, Arturo Martini. Catalogo delle sculture e delle ceramiche, 1966
G. Mazzotti, Arturo Martini, 1967
AA.VV., Milano 70/70, un secolo d'arte, 1971, pag. 134, n. 399, illustrato
F. Bellonzi, Arturo Martini, 1974
C. Milanesi, Omaggio ad Arturo Martini, 1978
G. Anzani, L. Caramel, Scultura moderna in Lombardia 1900-1950, 1981, pag. 157, n. 164, illustrato
M. De Micheli, C. Gian Ferrari, J. Clair, Arturo Martini 1989-1947. L'oeuvre sculpté, 1991, pag. 43-44, illustrato
N. Pozza, Arturo Martini. Catalogo ragionato delle sculture, Vicenza 1998, pag. 244, n. 364, illustrato

This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."