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Andres Serrano
Description
- Andres Serrano
- Heaven and Hell
- signed, titled, and numbered 5/10 on the reverse
- Cibachrome print front-mounted to Plexiglas
- 27 1/2 by 40 in.
- 69.9 by 101.6 cm.
- Executed in 1984.
Provenance
Stux Gallery, New York
Private Collection
Sotheby's, New York, 16 October 2007, lot 284
Acquired by the present owner at the above s൩ale
Exhibited
Philadelphia, Institute of Contemporary Art, University of Pennsylvania; New York, The New Museum of Contemporary Art; Miami, Center for the Fine Arts; Houston, Contemporary Art Museum; Chicago, Museum of Contemporary Art; Andres Serrano: Works 1983-1993, November 1994 - February 1996
Literature
Patrick T. Murphy, Robert Hobbs, Wendy Steiner, and Marcia Tucker, Andres Serrano: Works 1983-1993, Philadelphia, 1994, unpaginated
Brian Wallis, ed., Andres Serrano: Body and Soul, New York, 1995, unpaginated
Oliva Maria Rubio and Mieke Bal, Andres Serrano: El dedo en la llaga, Spain, 2006, unpaginated
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
In Heaven and Hell, Andres Serrano challenges the benevolence of the Catholic Church, while also taking on the sexualization of 🦋violence against women. The work was made in collaboration with political artist Leon Golub, who appears in the photograph wearing the red robes of a Cardinal, subtly smiling as he looks away from the blood-splattered nude who is bound and suspended next to him. Serrano said of the work, "I'm referring to the relationship the Church has with women, whether they are aware of women as human beings or just take them for granted and dismiss them."