Cheim & Read, New York
Acquired𓂃 by the present owner from the above inꦓ 2007

New York, John Good Gallery, Single Frame, March - April 1993 (another example exhibited)
Fukuoka City, Mitsubishi-Jisho Artium; Seoul, Walker Hill Art Center, Louise Bourgeois, August – November 1995, illustrated (another example exhibited)
Monterrey, Museum of Contemporary Art; Seville, Centro Andaluz de Arte Contemporaneo; Mexico City, Museo Rufino Tamayo, The Sculpture of Louise Bourgeois: The Elegance of Irony, June - August 1996, pl. 31, p. 59, illustrated in color (another example exhibited)
New York, Robert Miller Gallery, Rubber, January – February 1998
Madrid, Museo Nacional Centro de Arte Reina Sofia, Louise Bourgeois: Memory and Architecture, November 1999 - February 2000, pl. 46, illustrated (another example exhibited)
New York, Blumarts, Louise Bourgeois and Yayoi Kusama, June – September 2001 (another example exhibited)
London, Tate Modern; New York, Metropolitan Museum of Art, Surrealism: Desire Unbound, September 2001 – May 2002, p. 313, illustrated in color (another example exhibited)
Kunsthaus Bregenz, Louise Bourgeois: Drawings and Sculpture, July – September 2002, p. 75, illustrated (another example exhibited)
Warsaw, Zacheta Gallery of Art, Louise Bourgeois: Geometry of Desire, January – February 2003, p. 163, illustrated in color (another example exhibited)
Berlin-Brandenburg, Akademie der Künste, Louise Bourgeois: Intimate Abstraction, June – July 2003
New York, Danese Gallery, Sculpture, February – March 2005, pl. 9, illustrated in color (another example exhibited)
Kunsthalle Bielefeld, Louise Bourgeois: La Famille, March – June 2006 (another example exhibited)
Berlin, Akademie Der Kunste, Space: Places of Art, February 2007 – April 2007, p. 117, illustrated in color (another example exhibited)
Mountainville, New York, Storm King Art Center, Louise Bourgeois, May - November 2007, pl. 8,  p. 31, illustrated in color (another example exhibited)
New York, Cheim & Read, Lynda Benglis Louise Bourgeois: Circa Seventies, June – August 2007 (another example illustrated)
London, TATE Modern; Paris, Centre Georges Pompidou; New York, Solomon R. Guggenheim Museum; Los Angeles, Museum of Contemporary Art; Washington D.C., Hirshhorn Museum & Sculpture Garden, Louise Bourgeois: Retrospective, October 2007 – May 2009, p. 53, illustrated in color (another example exhibited)
Los Angeles, Museum of Contemporary Art, Wack! Art and the Feminist Revolution, March 2007 – July 2007 (another example exhibited)
New York, Luhring Augustine, The Irreverent Object: European Sculpture from the 60s, 70s and 80s, November 2009 – December 2009 (another example exhibited)
Berlin, Nationalgalerie; The Hague, Gemeentemuseum; Columbus, Ohio State University, Wexner Center for the Arts, Bellmer / Bourgeois – Double Sexus, April 2010 – August 2011 (another example exhibited)

Exh. Cat., Milan, Fondazione Prada, Louise Bourgeois: Blue Days and Pink Days, 1997, p. 146
Exh. Cat., Basel, The Beyeler Foundation, Eros and Modern Art, 2006, p. 170, illustrated in color

This work is in very good and sound condition overall. There is evidence of light handling and wear. There are scattered dust accretions in the crevices of the textured surface as well as scattered fine abrasions.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.