L. Mortari, Francesco Salviati, Rome 1992, p. 166, cat. no. 218, reproduced (under doubtful and erroneous attributions).

The panel is flat, stable, and cradled. The panel is comprised of two pieces of wood brought together by a single vertical join Overall this handsome portrait presents a strong image to the naked eye. Overall it is in good condition though it does have some restoration. UV light reveals some retouches along the panel join, which runs partially through the figures eye and forehead. Also visible under UV are a couple of small retouches in the figures face. The right portion of the background is in very nice state, while the left appears to have either a different varnish, or retouches which are difficult to decipher. The black drapery also appears to have some scattered retouches, with a few more prominent in the right arm. In a carved and giltwood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.