This canvas has an old, very thin relining. The paint surface is stable. Although the image is slightly pressed and the darker pigments have sunken, there are still lovely areas of impasto in the highlights of the lantern; the flame; and in the figure's nose and forehead. Areas of the background are a bit abraded and there are isolated, small chips and losses throughout. Two or three old vertical cracks run through the figure's face and upraised hand and arm. Under UV, there is an old thick varnish, under which one can see evidence of older restorations that address these cracks. Newer, isolated dots of retouch on top of the varnish layer address small losses and chips to the paint surface, especially along the right framing edge. Overall in good condition. In an elaborate carved and gilt frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

We are grateful to Prof. Nicola Spinosa who, based on images, has endorsed the attribution of this work to Preti; he dates it to circa 1653-1660 when the artist was working in Naples.