The support consists of a single uncradled and flat panel. There is an old split running the height of the panel 12 cm from the left hand edge, which is held by two old battens and butterfly insets on the reverse. The painting itself is dirty and the varnish layer yellowed. There are some minor losses associated with the old split but in general the surface appears very well preserved. Inspection under ultra violet light is impeded by the thick layer of old varnish and a degree of older restoration beneath shoudl be allowed for, but the paint beneath appears in very good order indeed with only minimal signs of wear. Offered with a later carved and gilt wood frame in Renaissance style in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Painted in Florence in the mid sixteenth century, the painting should be compared with a portrait of similar dimensions by Pier Francesco di Jacopo Foschi (Florence 1502-1567) sold in these Rooms, 10 December 2009, lot 153 for £35,000.