Tirage albuminé d'époque. Avec le numéro du négatif inversé en bas à droite. Au verso, titré Montmartre - Place du Tertre et numéroté 6307 au crayon par le photographe.

De l'artiste
Collection privée française

John Szarkowski/ Maria Morris Hambourg, The Work of Atget. Vol. II, Old Paris, New York, The Museum of Modern Art/ London, The Gordon Fraser Gallery, 1985, ill. p. 137;
Peter Barberie, Looking at Atget, Philadelphia Museum of Art/ New Haven/ Lo🥂ndon, Yale University Press, 2005, ill. p. 🃏114 (another print, printed by Berenice Abbott).

In very good condition. The reverse bears some stains of black ink that are partially slightly visible when looking at the image. The lower left corner has a slight fold of approx. 4 cm.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

"After the war Atget made a habit of visiting Montmartre on mornings in the early spring, when the trees were still bare, the light fragile, and the streets deserted. He photographed the Place du Tertre under these conditions on two seperate occasions in 1922 [offered here] and again in 1924." (The Work of Atget. Vol. II, p. 186)