8vo, first edition, one of 1,000 copies, presentation copy inscribed by the author two months after publication ("To Guy Hickok | who so generously | opened his arms to | me when I arrived | like a beggar in Paris | Sincerely | Henry V. Miller | Paris 11/5/3 | 4"), author's address in black ink on same page ("18 Villa Seurat | Paris | XIV"), the reporter and writer Wambly Bald's copy with his ownership signature and two New York addresses on front endpaper, notes on half title relating to Cinema Spendide and Place Nortier, previous pencil signature on same page, rebound in brown morocco, covers nearly detached, spine defective with remains of backstrip detached, front endpaper detached, covers very worn, some browning to text, endpapers stained

Guy Hickok, presentation inscription by the author; "H. McMahon", pencil ownership signature; Wambly Bald, ownership signature; presented to current owner in 1989

Pearson A-32

Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

An important presentation and association copy of Miller's account of his experiences of his first year in Paris, living as a struggling vagabond. The reporter and writer Wambly Bald, who is the model for the character Van Norden in Tropic of Cancer, spent several years travelling and writing in America before moving to Paris in 1929, where he became a good friend of Miller's and captured the essence of Paris bohemian life in a series of articles for the European edition of The Chicago Tribune (Miller himself is thought to have occasionally written some of these pieces for him).