M. Philippe Leloup, Paris

Samಞuel Josefowitz, Lausanne (acq💎uired from the above in 1981)

Sale: Sotheby's, New York, May 22, 1982, lot 431

Nevill Keating Ltd., London (acquired a𝔉t the above 🎐sale)

Private Collection, United Kingdom

Nevill Keating Ltd., London

Sale: Christie's, London, June 29, 1999, lot 6

Acquired at the above sale

Rainer Maria Rilke, Auguste Rodin, London, 1917, illustr🐭ation of another cast pl. 6

Georges Grappe, Catalogue du Musée Rodin, Paris, 1927, nos. 91-92, p. 47, illustratꦦion of the mar💃ble version no. 91

Georges Grappe, Catalogue du Musée Rodin, Paris, 1944, no. 71, illustration of the lജarger marbಞle version

Georges Grappe, Le Musée Rodin, Paris, 1947, illusཧtra🧸tion of the marble version pl. 71

Cécile Goldscheider, Rodin, sa vie, son oeuvre, son héritage, 🐼Paris, 1962, illustration of the marble version p. 49

Albert Edward Elsen, Rodin (exhibition catalogue), Th൲e Museum of Modern Art, New York, 1963, illustration of the larger bronze versionꦉ p. 63

Bernard Champigneuelle, Rodin, London, 1967, nos.💜 78-79, illustration of the marble version pp. 162-163

Robert Descharnes & Jean-François Chabrun, Auguste Rodin, Lausanne, 1967, illustration of the larger marb🌳le version p. 131

Ionel Jianou & Cécile Goldscheider, Rodin, Paris, 1967, il✱lustra🐷tion of the marble version pls. 54-55

Ludwig Goldscheider, Rodin Sculptures, London, 1970, no. 49, illustratio𝔉n🦩 of the marble version p. 121

John L. Tancock, The Sculpture of Auguste Rodin, Philadelphia, 19ꦇ76, illustration of t🐼he marble version p. 77

Jacques de Caso & Patricia B. Sanders, Rodin's Sculpture (exhi♎bition catalogue), The Fine Arts Museum of San Francisco, San Francisco, 1977, illustrations of another cast pp. 148 & 150

Albert Edward Elsen, In Rodin's Studio, A Photographic Record of Sculpture in the Making, Ithaca, 1980, illustration of the marble ♛on the cover

Hélène Pinet, Rodin, sculpteur et les photographes de son temps, Paris, 1985, no. 34, illustration of t💮he marble p. 46

Nicole Barbier, Marbres de Rodin: Collection de Musée Rodin, Paris, 1987, no. 79, illustrati𒊎on of&nbജsp;the marble version p. 185

Frederic V. Grunfeld, Rodin, A Biography, New York൲, 1987, pp. 187-190, 221-222, 260, 262, 275-276, 281-282, 342, 373-374, 400, 457 and 577

Pierre Kjellberg, Les bronzes du XIXe siècle, Paris, 1987, illustratio🍎n of another cast pꦉ. 585

David Finn & Marie Busco, Rodin and his Contemporaries: The Iris & B. Gerald Cantor Collection, New York, 1991, il𓆏lustrations of another cast pp. 60-61

Albert Edward Elsen, Rodin's Art, The Rodin Collection of the Iris & B. Gerald Cantor Centre  for the Visual Arts at Stanford university, New York, 2003, no. 49🌼, illustration☂s of another cast pp. 214-215

Antoinette Le Normand-Romain, The Bronzes of Rodin, Catalogue of Works in the Musée Rodin, vol. I, Paris, ꧟2007, illustration of another cast p. 160

This work is in very good condition. Rich brown patina. Some general wear to patina consistent with age. Casting join faintly visible in the male figure's torso.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Le Baiser was originally intended for the left side of Rodin's monumental project La Porte de l'Enfer, but was never included as Rodin felt the work lacked the tragic mood it required. Instead he chose to exhibit the sculpture separately at the Galerie Georges Petit and the Exposition Générale des Beaux-Arts in Brussels, and it quickly became one of Rodin's signature works. The French ꧙government commissioned a marble version in 1888, and after the work was exhibited in the Paris Salon that same year to rave reviews, the Barbedienne foundry cast bronze editions in four different sizes between 1898 and 1918.

Le Baiser portrays the ill-fated lovers, Paolo and Francesca, who were murdered by Francesca's husband and Paolo's brother, Vanni Malatesta. Banished to hell for their adulterous passion, the two lovers were doomed to spend eternity in an embrace. Among the love stories in Dante's La Divina Commedia, this forbidden liaison, so reminis🐷cent of courtly love, had the greatest resonance for a late ninet📖eenth century audience.