The three barrel-form coral segments accented by cabochon onyx studs and onyx rondelles, spaced by seven pearls measuring approximately 3.1 mm and openwork S-shaped links, set throughout with numerous old European and single-cut diamonds weighing approximately 4.60 carats, length 7 inches, with French assay marks.

In good condition. The coral segments are a medium orangy red, two of the segments exhibiting small chips. The onyx cabochons are all fully intact. The diamonds are approximately H-I color, VS-SI clarity, a few diamonds bearing minor chips visible under magnification. The mounting bearing spots of solder and scratches due to wear.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

With its playful combination of onyx-studded coral and scrolling diamond-set links, the present bracelet is strikingly reminiscent of a number of Cartier’s more avant garde designs from the 1920s.  The placement of cabochons composed of one gemstone into a ground formed from another—a fanciful choice even by today’s standards—was to become one of the firm’s favorite decorative conceits.  The S-form motifs, also frequently employed by Cartier, provide a pleasingly curvilinear foil to the highly geometricized forms then so favored within the decorative arts.  This bracelet, while bearing no apparent signature, presents an artistry and skill in-keeping with the work of a master jeweler of the Art Deco period.   

For similar motifs employed by Cartier please see Hans Nadelhoffer, Cartier: Jewelers Extraordinary, p. 195 and pl. 27 and 31; in addition, you may view Judy Rudoe, Cartier: 1900-1930, p. 233.

Potential bidders who wish to export this lot are advised that certain permits are required for export. If you are interested in this lot, please contact the Jewelry Department before bidding.