Lot 42
- 42
Attributed to François Quesnel
Estimate
15,000 - 20,000 USD
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Description
- François Quesnel
- Portrait of a young woman with a ruff, a curl on her cheek and a pearl drop earring
- Black and red chalk and stumping;
bears inscription in pencil, verso: Made le Brione [?]
Condition
Paper slightly yellowed, especially at edges. Slightly foxed but chalk strong. Overall condition good.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This drawing and the following lot are extremely close in style and technique to the work of François Quesnel, who worked as a decorator and designer of cartoons for tapestries but is most famous for his portraits. He worked at the French court of Catherine de' Medici and her son Henri III. This portrait has been delicately drawn in black and red chalk with a high degree of finish. The ruff is rendered in great detail, as is the lady's hair and drop earring, and stumping has been used to create gradations and half tones. The inscription on the verso may relate to the sitter.