mounted, initialed and dated in pencil on the mount, signed, titled, dated, and numbered ‘NC-CC-6G’ in pencil on the reverse, 1937, printed no later than 1946; accompanied by a manuscript postcard to Ichiro Misumi, postmarked ‘April 12, 1947,’ signed by Weston in ink (Conger 1069) (2)

The photographer to Ichiro Misumi, 1946
By descent to the current owners

This photograph is on paper with a very slight texture and a semi-glossy surface. The print is quite striking: the transition of tones from the deep gray sky to the highlights on the wood are masterfully handled. When the print is examined in raking light, a faint raised area can be seen about an inch from the center of the right edge; this is likely due to a particle trapped between print and mount during the mounting process. The print is mounted to stiff board which shows some minor age-darkening and very faint soiling.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The postcard accompanying this lot indicates that by April of 1947, Ichiro Misumi and Weston were actively engaged in correspondence.  Weston states, presumably in response to a letter from Misumi, ‘You are right—we need a new photo magazine.’  He also invites Misumi to pay him a visit when he is in Carmel.