- 168
Antoine Gailliard
Description
- pair of armchairs
- both stamped A. GAILLIARD
- beech, wool flat weave, brass
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Antoine Gailliard, became a maître (master) in 1781, a menuisier (carpenter) rather than an ébéniste. Gailliard worked in the late neo-classical transitional style. Neo-classicism was a departure from the flamboyant asymmetrical style of the rococo, moving towards the visual vocabulary found in Classical art which had been stimulated by recent archaeological discoveries in Italy. Neo-classical designers represented true clarity of form through simpler rectilinear lines. The style was seen in France as early as 1750 when the important French collector, La Live de Jully (1725-1779), furnished a room 'à la grecque', or in the neo-classical style. Gailliard's furniture is regarded as being restrained and elegant in shape with very fine and delicate carving as evidenced in the offered lot. Gailliard has stampe🍸d seat furniture that was designed for Prince de Poix and us✱ed in Versailles, which was sold, Sotheby's Paris, 6 April 2011, lot 191.