- 234
Marino Marini
Estimate
140,000 - 180,000 USD
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Description
- Marino Marini
- Quadriga
- Inscribed with the artist's monogram
- Bronze
- 20 1/8 by 20 in.
- 51 by 50.8 cm
Provenance
Acquired directly from the artist in 1978
Exhibited
Tokyo, The National Museum of Modern Art; Yamagata, The Yamagata Museum; Sapporo, The Hokkaido Museum of Modern Art & Kobe, The Prefectural Museum of Art, Marino Marini, 1978, no. 19, illustrated in color in the catalogue
Literature
Jirí Setlik, Marini, Prague, 1966, illustration of another cast p. 8
Patrick Waldberg, Herbert Read & Gualtieri di San Lazzarro, L'Oeuvre complète de Marino Marini, Paris, 1970, no. 125, illustration of the terracotta p. 339
Carlo Pirovano, Marino Marini: Scultore, Milan, 1972, no. 134
Marino Marini (exhibition catalogue), Palazzo Pubblico, Siena, 1982, illustration of another cast pl. 7
Marino Marini: Sculture, pitture, disegni dal 1914 al 1977 (exhibition catalogue), Palazzo Grassi, Venice, 1983, illustration of another cast pl. XIX
Marino Marini (1901-1980), Plastiken Bilder Zeichnungen, Alter Herkulessaal, Munich, 1984, illustration of another cast pl. 13
Carlo Pirovano, ed., Marino Marini: Catalogo del Museo San Pancrazio di Firenze, Milan, 1988, illustration of another cast p. 66
Carlo Pirovano, Il Museo Marino Marini a Firenze, Milan, p. 52
Marco Meneguzzo, Marino Marini: Il Museo alla Villa Reale di Milano, Milan, 1997, illustration of the terracotta p. 210
Fondazione Marino Marini, ed., Marino Marini, catalogue raisonné of the sculptures, Milan, 1998, no. 174a, illustration of the plaster p. 123
Marino Marini: An Archaic Sculptor of Modern Art (exhibition catalogue), National Gallery, Alexandros Soutzos Museum, Athens, 2006, illustration of another cast p. 109
Patrick Waldberg, Herbert Read & Gualtieri di San Lazzarro, L'Oeuvre complète de Marino Marini, Paris, 1970, no. 125, illustration of the terracotta p. 339
Carlo Pirovano, Marino Marini: Scultore, Milan, 1972, no. 134
Marino Marini (exhibition catalogue), Palazzo Pubblico, Siena, 1982, illustration of another cast pl. 7
Marino Marini: Sculture, pitture, disegni dal 1914 al 1977 (exhibition catalogue), Palazzo Grassi, Venice, 1983, illustration of another cast pl. XIX
Marino Marini (1901-1980), Plastiken Bilder Zeichnungen, Alter Herkulessaal, Munich, 1984, illustration of another cast pl. 13
Carlo Pirovano, ed., Marino Marini: Catalogo del Museo San Pancrazio di Firenze, Milan, 1988, illustration of another cast p. 66
Carlo Pirovano, Il Museo Marino Marini a Firenze, Milan, p. 52
Marco Meneguzzo, Marino Marini: Il Museo alla Villa Reale di Milano, Milan, 1997, illustration of the terracotta p. 210
Fondazione Marino Marini, ed., Marino Marini, catalogue raisonné of the sculptures, Milan, 1998, no. 174a, illustration of the plaster p. 123
Marino Marini: An Archaic Sculptor of Modern Art (exhibition catalogue), National Gallery, Alexandros Soutzos Museum, Athens, 2006, illustration of another cast p. 109
Condition
This work is in very good condition. Varied brown patina. Plaster residue is visible.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.