Lot 259
- 259
Mel Ramos
Estimate
250,000 - 350,000 USD
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Description
- Mel Ramos
- Hav-a-Havana #6
- signed and dated 2000 on the reverse
- oil on canvas
- 40 by 74 in. 101.6 by 188 cm.
Provenance
Levy Galerie, Hamburg
Acquired by the present owner from the above
Acquired by the present owner from the above
Condition
This work appears in excellent condition overall. The surface is bright, fresh and clean. Under Ultraviolet light inspection, there is no evidence of restoration. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
“It is when a cigar is not just a cigar that it is really fun. Mel Ramos understood that from the get-go… Tousel-haired doxies ride oversized Havanas, rise out of banana peels, candy wrappers, and corn stalks…All kittenish artifice, they are plausible, if sardonic, analogues to Madison Avenue’s fetishizing of the female form to stimulate lust for goods. They remain permanent participants in the American conversation between high art and low.” – Maureen Mullarkey