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Lot 111A
  • 111A

Studio of Gerard David

Estimate
30,000 - 50,000 USD
bidding is closed

Description

  • Gerard David
  • St. Joseph
  • oil on panel, a fragment
  • 19 x 9 inches

Provenance

With Leonard Koetser Gallery, London, by 1962.

Exhibited

London, Leonard Koetser Gallery, 10th Annual Autumn Exhibition of Important Dutch, Flemish and Italian Old Master Paintings, 23 October - 1 December 1962, cat. no. 38.

Condition

Panel has been cradled and is flat and stable. under a slightly dirty and uneven old varnish. overall there is good retention of the paint surface with only some slight thinnesses to some areas of background. examination under ultraviolet reveals very small scattered retouches to face and some retouching to both hands. others scattered here and there on red robe. there are small retouches on both animal faces upper right, with retouching over both the donkey's ears, and other scattered but small retouches in background. Offered in a wood frame with a green velvet liner (which has been abraded) and gilt inner rim.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

A comparable figure of the young Joseph can be seen in David's Nativity (New York, Metropolitan Museum of Art, Jules S. Bache Collection, circa 1510-15, inv. nos. 49.7.20 a-c), where the kneeling male figure in the central panel is closely related, in both facial representation and pose, to the present figure.  Examination of the present work under infrared reflectography reveals an underdrawing that is very close to David's style of underdrawing of around 1510 (see fig. 1).