Panel is flat and stable. Strips of wood have been applied to the verso to stabilize the panel where there are panel joins. In all, there are four vertical joins which have brought together strips of wood of varying widths. There is slight retouching along each of the joins, and these slight retouches have been applied at different times in the paintings history. Certainly a light cleaning would brighten the picture and a fresh varnish would also benefit. Overall though, the picture appears to be in a healthy state of preservation. In a carved and gilt wood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

A Venetian painting following this same composition, possibly by Parrasio Micheli, can be found in the Musée des Beaux Arts de Lille, inv. no. P939.